- CREATIVE KIT SPOTLIGHT TIKTOK THEVERGE HOW TO
- CREATIVE KIT SPOTLIGHT TIKTOK THEVERGE MOVIE
- CREATIVE KIT SPOTLIGHT TIKTOK THEVERGE SERIES
Some controversy has surrounded Eva.Stories regarding its anachronistic (and, in some critics’ view, trivialising) use of self-reflexive mobile filmmaking to depict an era without social media. Audiences watch this narrative slowly unfold: first, her father’s business is taken away from him, then she herself is deported to a concentration camp. On Instagram, meanwhile, Eva.Stories used the platform’s highlight feature to show near-daily video stories of a Jewish girl, Eva (Mia Quiney), living in Nazi-occupied Hungary in the 1940s.
CREATIVE KIT SPOTLIGHT TIKTOK THEVERGE MOVIE
See Ben Child, ‘ Sickhouse: How the First Ever Snapchat Movie Redefined Viral’, The Guardian, 23 June 2016,, accessed 7 September 2022. Following YouTuber Andrea Russett (playing herself) and her group of friends as they spend the night at a haunted house, the film was released on the platform in one-to-ten-second video snippets, building suspense through real-time delays between videos that sometimes lasted hours. New-media narrative stories on other online video platforms include feature film Sickhouse (Hannah Macpherson, 2016), which was distributed exclusively on Snapchat. Tilly Ramsay pranks her father, Gordon, on her TikTok account
Henry Jenkins, in ‘Henry Jenkins – What Is Media Convergence?’, YouTube,, , accessed 2 September 2022. This level of participatory culture has continued to evolve and shape itself around available technologies as media scholar Henry Jenkins states, such stories are being moulded by younger users in particular ‘wanting the media they want where they want it, how they want it, in the form they want it, when they want it’. See ‘ Who Killed Markiplier? – Chapter 1’, YouTube, 11 October 2017,, accessed 7 September 2022.
CREATIVE KIT SPOTLIGHT TIKTOK THEVERGE SERIES
and Who Killed Markiplier? (2017), a four-episode series shot from a first-person vantage point, in which the viewer ‘plays’ an attorney investigating a murder. Other unique story ideas that have emerged from the world of YouTube include Marble Hornets (2009–2014), which involved audiences in its development by encouraging them to suggest ideas for the show in the comments See Marble Hornets YouTube channel,, accessed 7 September 2022. See The Lizzie Bennet Diaries YouTube channel,, accessed 7 September 2022. In the years following Lonelygirl15’s broadcast, the vlogging genre has continued to inspire YouTube narrative productions, such as Pride and Prejudice adaptation The Lizzie Bennet Diaries (2012–2013). See Elena Cresci, ‘ Lonelygirl15: How One Mysterious Vlogger Changed the Internet’, The Guardian, 16 June 2016,, accessed 2 September 2022. Eventually, three months after the series’ launch, creators Miles Beckett, Mesh Flinders, Greg Goodfried and Amanda Goodfried publicly admitted that the production was fictional they continued releasing episodes of the series until it ended in 2008. Viewers soon began questioning the authenticity of Bree’s story, and online forum users sought to debunk her claims. One of the earliest web series to emerge on a social media platform, Lonelygirl15, made its first appearance in June 2006.Through the then-nascent ‘vlogging’ (or video blogging) format, the YouTube series introduced the audience to an ostensibly real sixteen-year-old girl, Bree (Jessica Lee Rose), as she shared interesting facts about her family, with hints dropped along the way that they might have strange links to a cult.
CREATIVE KIT SPOTLIGHT TIKTOK THEVERGE HOW TO
Given TikTok’s reach and unique visual language, filmmakers can benefit greatly from learning how to use the platform to engage and sustain a viewership. See Kim Lyons, ‘TikTok Says It Has Passed 1 Billion Users’, The Verge, 27 September 2021,, accessed 2 September 2022. it now has over 1 billion users globally. One of the most prominent services of this kind to have emerged in recent years is short-video platform TikTok, which launched internationally in 2017 and last year became the most frequently used social media website in Australia (in terms of time users spent on the app) See ‘Digital 2022 Australia: Online Like Never Before’, We Are Social website, 9 February 2022,, accessed 18 June 2022. Whether simply uploading short films to a website like YouTube or Vimeo or tailoring content to a specific platform and its features, creators have the capacity to reach audiences in a variety of ways. Online media platforms offer unique opportunities for filmmakers and storytellers to engage a variety of audiences.
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