Once up on the wall, the GX is rather nondescript in the best possible way: it’s a big display with a thin black bezel on all sides and barely noticeable gunmetal grey edges. Only those planning on wall-mounting should really consider the GX.
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You can also buy a pair of feet for the TV to stand upon, but they’re a bit ugly and sit at the furthest points of the bottom edge, creating an unhelpfully wide footprint. The GX also has standard VESA mounting points on its rear.
Instead, bundled with the TV is a low profile wall mount designed to allow the TV to sit flush to your wall. The design is predicated on the notion that the GX is wall-mounted, to the extent that there’s no tabletop stand included in the box. By comparison, the CX is 4.7cm at its thickest point and Samsung’s flagship 4K model for 2020, the Q95T, is 3.5cm deep. The GX is different it doesn’t have any ultra-thin sections but is instead just 2cm deep all over. That means that most are no thinner at their thickest point than the average LCD model. While all OLEDs have exceptionally thin panels, they also require an enclosure on the rear to accommodate the processing hardware and connections. In the case of the GX, the CX’s 40W, 2.2ch sound system has been replaced by a 60W, 4.2ch audio arrangement, however, it is undoubtedly the design that most potential buyers will be most drawn to. Instead, you’re spending that extra money on an upgraded sound system and a fancier design. Even by LG’s own admission, buying a GX (or WX or RX) over a CX gets you no better picture quality.
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